Boston Harbor, 1907

Boston Harbor, 1907

William Worcester Churchill (1858 – 1926)
oil on canvas
26.25 x 32 inches (L x W)
signed Churchill and dated 07, lower right
Early Morning

Early Morning

Daniel Ridgway Knight (1839-1924)
oil on canvas
22 x 18.25 inches (L x W)
signed Ridgway Knight Paris, lower right
Farm Scene in Winter 1966

Farm Scene in Winter 1966

Dale Nichols
oil on canvas
30 x 40 inches (L x W)
signed Dale Nichols and dated 1966, lower left
From Brooklyn Bridge, 1913

From Brooklyn Bridge, 1913

John Marin (1870-1953)
watercolor and pencil on paper
16 x 18.75 inches (L x W)
signed Marin and dated 13, lower right; inscribed with title and N.Y. on verso
Gladioli, circa 1925

Gladioli, circa 1925

Charles Henry Demuth (1883-1935)
watercolor and pencil on paper
18 x 12 inches (L x W)
Ice Pond, circa 1945

Ice Pond, circa 1945

Marguerite Zorach (1887-1968)
oil on canvas
30 x 44 inches (L x W)
signed Marguerite Zorach, lower right
Minnie, Cape Porpoise, Maine, 1934

Minnie, Cape Porpoise, Maine, 1934

Aiden Lassell Ripley (1896-1969)
watercolor on paper
19.75 x 26 inches (L x W)
signed A. Lassell Ripley and dated 34, lower right; inscribed Minnie on the reverse
Off Eastern Point Light, Gloucester, 1874

Off Eastern Point Light, Gloucester, 1874

Francis Augustus Silva (1835-1886)
oil on canvas
18 x 30.25 inches (L x W)
signed F.A. Silva and dated 74, lower left
On the Balcony, circa 1890s

On the Balcony, circa 1890s

Arthur B. Davies (1862-1928)
oil on canvas
16 x 11 inches (L x W)
signed A.B. Davies, lower left
Pink Desert, 1909

Pink Desert, 1909

Lockwood de Forest (1850-1932)
oil on paper laid down on canvas
9 x 14 inches (L x W)
Signed LdeF and dated March 12, 09, lower left
Polo Match, circa 1928

Polo Match, circa 1928

Alexander Calder (1898-1976)
crayon and ink on tan paper
19 x 25.25 inches (L x W)
signed Calder, lower right
The Afternoon Mail, 1907

The Afternoon Mail, 1907

William McGregor Paxton (1869-1941)
oil on canvas
27.25 x 22 inches (L x W)
signed Paxton and dated 1907, upper left
The Banker, 1932

The Banker, 1932

William Gropper (1897-1977)
oil on canvas
21 x 33 inches (L x W)
signed Gropper, lower left; signed again on the reverse
The Common, Central Park, New York, circa 1889

The Common, Central Park, New York, circa 1889

William Merritt Chase (1849-1916)
oil on panel
10.5 x 16 inches (L x W)
signed Wm. M. Chase, lower left
The Dutch Shoe, 1890

The Dutch Shoe, 1890

Julian Alden Weir (1852-1919)
oil on panel
21 x 15 inches (L x W)
signed J. Alden Weir and dated 1890, upper right
The Old Oaken Bucket, 1943

The Old Oaken Bucket, 1943

Anna Mary Robertson “Grandma” Moses (1860-1961)
oil on Masonite
18 x 23.5 inches (L x W)
signed MOSES, lower right; dated 43 on previous backing
The Old Wharf, Ironbound, 1922

The Old Wharf, Ironbound, 1922

John Singer Sargent (1856-1925)
watercolor and pencil on paper
15.75 x 20.75 inches (L x W)
signed John S. Sargent and inscribed to my friend Blaney, lower left
The Washington Arch, Winter, 1934

The Washington Arch, Winter, 1934

Guy Carleton Wiggins (1883-1962)
oil on canvas
20 x 16 inches (L x W)
signed Guy Wiggins and inscribed NA, lower right; signed again, dated 1934, and inscribed with title on the reverse
Two Tables with Fruit, 1975

Two Tables with Fruit, 1975

Robert Gwathmey (1903-1988)
oil on canvas
36 x 30.25 inches (L x W)
signed Gwathmey, lower left
Woman in White Dress and Straw Hat, circa 1880

Woman in White Dress and Straw Hat, circa 1880

Charles Sprague Pearce (1851-1914)
oil on panel
14.75 x 12 inches (L x W)
signed Charles Sprague Pearce and inscribed Paris, lower left