Burned Hill by the Sea, 1938

Burned Hill by the Sea, 1938

Milton Avery (1885-1965)
watercolor on paper
22.5 x 30.75 inches (L x W)
signed Milton Avery, lower right
Carmel, 1920

Carmel, 1920

Lockwood de Forest (1850-1932)
oil on paper laid down on canvas
10 x 14.5 inches (L x W)
Signed LdeF and dated Carmel May 3, 1920, lower left
Cluster of Roses in a Glass, circa1885 - 1895

Cluster of Roses in a Glass, circa1885 - 1895

Martin Johnson Heade (1819 - 1904)
oil on canvas
24 x 15 inches (L x W)
signed M.J. Heade, lower left
Cuernavaca, Mexico at Sunset, 1906

Cuernavaca, Mexico at Sunset, 1906

Lockwood de Forest (1850-1932)
oil on paper laid down on canvas
8.75 x 14.25 inches (L x W)
Signed LdeF and dated Dec 18, 06; inscribed indistinctly lower left
Dizzy Dame, 1963

Dizzy Dame, 1963

Milton Avery (1885-1965)
oil on canvas board
16 x 22 inches (L x W)
signed Milton Avery and dated 1963, lower left
Eldorado (The Sorrow and Futility of Man Before the Beauty of Woman), 1946

Eldorado (The Sorrow and Futility of Man Before the Beauty of Woman), 1946

Reginald Marsh (1898-1954)
mixed media on paper
22 x 29.5 inches (L x W)
signed Reginald Marsh, lower center
Girl with Parasol, circa 1910

Girl with Parasol, circa 1910

Pauline Palmer (1867-1938)
oil on canvas
30 x 36 inches (L x W)
signed Pauline Palmer, lower right
Goldenrod, circa 1875

Goldenrod, circa 1875

Walter Gay (1856-1937)
oil on panel
20 x 7.5 inches (L x W)
signed Walter Gay, lower left
Hillside, Winter, circa 1910

Hillside, Winter, circa 1910

Ernest Lawson (1873-1939)
oil on canvas
18.25 x 22.25 inches (L x W)
signed Lawson, center left
Landscape, 1927

Landscape, 1927

Leon Kroll (1884-1974)
oil on canvas
25.25 x 32 inches (L x W)
signed Kroll and dated 1927, lower center
Paysage, circa 1910

Paysage, circa 1910

Alfred Henry Maurer (1868-1932)
oil on board
18 x 15 inches (L x W)
signed A.H. Maurer, lower left
Section of Town, 1969

Section of Town, 1969

Robert Gwathmey (1903-1988)
graphite on paper
28.5 x 19 inches (L x W)
signed Gwathmey, center right
Sketcher and Watcher, 1944

Sketcher and Watcher, 1944

Milton Avery (1885-1965)
gouache on paper
22.5 x 30.5 inches (L x W)
signed Milton Avery and dated 1944, lower left; signed and dated again and inscribed Sketcher and Watcher, gouache, and 22 x 30 on the reverse
St. Louis Cemetery No. 2, 1954

St. Louis Cemetery No. 2, 1954

Ralston Crawford (1906-1978)
oil on canvas
16 x 12 inches (L x W)
signed RC, lower right; signed again Ralston Crawford, dated 1954, inscribed St. Louis Cemetry [sic] #2 and started Jan 4/54 on the reverse
Still Life, 1948

Still Life, 1948

Judith Rothschild (1921-1993)
oil on canvas
20 x 20 inches (L x W)
signed J. Rothschild, dated '48, and inscribed with title on the stretcher
Study for 'Pool in the Woods'

Study for 'Pool in the Woods'

Thomas Hart Benton (1889-1975)
oil en grisaille on masonite
10 x 8.25 inches (L x W)
signed Benton, lower right
The Dutch Shoe, 1890

The Dutch Shoe, 1890

Julian Alden Weir (1852-1919)
oil on panel
21 x 15 inches (L x W)
signed J. Alden Weir and dated 1890, upper right
The Halogens II, circa 1945

The Halogens II, circa 1945

Steve Wheeler (1912-1992)
oil on canvas
20 x 24 inches (L x W)
signed Wheeler, lower right
The Yellow Dancer, 1911

The Yellow Dancer, 1911

Everett Shinn (1876 - 1953)
pastel on board
14.5 x 19.5 inches (L x W)
signed E. Shinn and dated 1911, lower right
Willows, Pilar, McPherson County, Kansas, circa 1920

Willows, Pilar, McPherson County, Kansas, circa 1920

Birger Sandzen (1871-1954)
oil on canvas
24 x 32 inches (L x W)
signed Birger Sandzen, lower right; signed again, inscribed with title and Lindsborg, Kansas on the stretcher